Skip to main content

Film Noir: My Top 100

Under the myth of the American dream lurks a dark, seedy side — a gutter littered with broken hearts and despair. And yet, a stubborn sliver of hope endures, a longing for all things brighter.

Here, two things exist at once, dancing like shadows in the night. A chiaroscuro, sometimes shining, sometimes bleak, but always entwined together.

This is noir. Corrupt heroes and caustic criminals, sly grifters and easy marks, jilted lovers and tough-talking dames, all dreaming the hazy dream soaked in something we thirst for but can never taste.

I love this stuff. I live and breathe it. And so for Noirvember, I tried to put together my top thirty film noirs, but my list grew too quickly. So I stopped at 100. And  yes, some are noir-adjacent.  :) 

I truly hope you will find one that you enjoy.

Comments

Popular posts from this blog

Love Lifted Me | #365 Prompts

LOVE LIFTED ME We’d practiced "Love Lifted Me" in GAs until it sounded reasonably good. Well, Anna sounded good. I suppose it was expected since she was the preacher’s daughter and honestly blessed with an angelic voice. She carried any number the trio performed. This time, however, it was a quartet. The choir director had reluctantly invited me to join—I guess she felt it was her moral duty to include me while knowing I couldn't sing.   But I would do for a Sunday night service when the pews were mostly empty. I wasn’t nervous really, even though I’d never sang in front of an audience. And I had forgotten about my bouts of hysteria. Now, these little fits weren’t debilitating. Just brief and inappropriate responses to stressful situations. Like when my dad fell from the ladder and caught his foot in the rung. He was swinging by his sickled ankle, and all I could do was laugh. He grew angry, livid even, screaming at me to help, but I rolled on the ground in hilarious conv

Out of the Blue

Out of the blue and into the black describes the descent of a wildly dysfunctional family in this rambling, nihilistic film by Dennis Hopper. Don, a degenerate convict, pulses with Hopper’s dark charisma, devouring everything in his path. Kathy, his wife, numbs herself from the chaos with drugs and sex, leaving Cebe, their daughter, on her own to deal with the fallout. It doesn’t end well. Cebe, played by Linda Manz, seems to sneer at the brutal cards handed to her, but under that tough facade is a bruised child who craves the comfort and love that’s been absent in her life. Tragically, her signature walk, that strident march, leads her nowhere.

WE BITE

  WE BITE We walk the streets at night. Me and the dangerous dog. Staring them down, daring them down, in the crosshairs of a feral gaze. To whistles, catcalls (and just plain cats), we bare wet teeth.  They think it’s fear.  But really, it’s love.